Contents • • • • • Content [ ] Disc one comprises a complete show from August 24, 1969, and disc two a complete show from August 11, 1970. Discs three and four present recordings from shows over a time span from 1956 through 1975, not in chronological order. In his review of the album, music critic Lindsay Planer stated: A vibrant and overwhelmingly energetic Presley is the focus of the first two discs - containing complete performances from August 24, 1969, and August 11, 1970, respectively.

As one may well anticipate, the sets feature a healthy sampling of Presley's voluminous back catalogue. ', ', ', and ' are given a workout during each performance. As were the more current hits such as ', ', and '.

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Presley's knack for inimitable remakes is also displayed as he gains inspiration from concurrent chart-toppers such as ', ', and '. Unlike the first two discs, the final pair do not contain complete performances and likewise are not presented chronologically. For the sake of contrast, the four song mini-set documenting the final performance of Presley's first Vegas stand on May 6, 1956, begins disc four.

What remains consistent - in both the brief 1956 set as well as on the remainder of the mid-'70s recordings - is Presley's impeccable taste in cover material. Track listing [ ] Disc one - August 24, 1969 No. Title Writer(s) Length 1. ', Renald Richard 2:55 3. 'Elvis welcomes the audience' — 1:48 5. ' / ' (medley) / 2:37 7.

' Jerry Leiber, Mike Stoller 3:22 9. ' / ' (medley) 4:06 15. 'Introductions' — 2:34 16. ',, 2:08 20. 'Elvis talks about his career' — 6:41 Total length: 1:02:14 Disc two - August 11, 1970 No. Title Writer(s) Length 1. ', Renald Richard 2:34 3.

', Doug Flett 4:18 7. 'Men with Broken Hearts' 0:40 10. ' Barry Mann,, Cynthia Weil 5:32 12. ', Pearl King, Anita Steiman 2:00 14. ' Jerry Leiber, Mike Stoller 1:56 16. 'Instrumental vamp' — 0:58 17. 'Introductions' — 2:25 19.

',, 2:07 22. ',, 1:27 Total length: 1:07:40 Disc three No. Title Writer(s) Recording date Length 1. ' Traditional February 18, 1970 2:33 2. ', February 18, 1970 3:09 3. ' February 16, 1970 2:51 4. ' February 18, 1970 2:35 5.

' February 18, 1970 4:42 6. ' February 16, 1970 2:46 7. ' February 19, 1970 2:49 8. ' February 19, 1970 2:45 9.

',, February 17, 1970 3:23 10. ' February 17, 1970 2:59 11. ' Dick Heard, February 17, 1970 3:53 12. ', Enotris Johnson, February 18, 1970 1:26 13.

' February 19, 1970 2:21 14. ' February 19, 1970 5:04 15. ' February 16, 1972 3:28 16. ' February 16, 1972 3:15 17.

', February 16, 1972 2:52 18. ' February 17, 1972 2:20 19. ' February 14, 1972 1:06 20.

' / ' (medley), / February 14, 1972 1:54 21. ', Sidney Wyche February 16, 1972 2:02 22. ', February 16, 1972 2:29 23. ' arranged by February 16, 1972 4:31 Total length: 1:07:13 Disc four No. Title Writer(s) Recording date Length 1. ', May 6, 1956 3:02 2. ',, May 6, 1956 4:02 3.

' May 6, 1956 3:32 4. ' May 6, 1956 2:49 5. ' August 19, 1974 2:43 6. ', August 21, 1974 2:54 7. ', August 21, 1974 3:04 8.

', Michael Jarrett August 21, 1974 3:05 9. ' August 21, 1974 3:00 10. ', August 22, 1974 2:26 11. ',, August 21, 1974 2:30 12.

' August 19, 1974 3:10 13. ' Eduardo DeCapua,, August 27, 1974 2:30 14.

',, August 21, 1974 1:59 15. ', August 20, 1974 1:55 16. ' March 22, 1975 3:30 17. ' March 22, 1975 2:40 18.

', Al Smith March 30, 1975 2:30 19. ' March 30, 1975 2:42 20. ' Jean-Pierre Bourtayre,,, March 30, 1975 4:40 21. ' December 6, 1975 3:24 22. ', Doug Flett December 6, 1975 3:44 23.

Hine December 6, 1975 4:24 24. ', December 6, 1975 2:12 Total length: 1:12:27 Chart performance [ ] Chart (2015) Peak position Dutch Top 100 Albums 63 References [ ].

How much did Colonel Tom Parker flood the marketplace in the early '70s? Between 1969's From Vegas to Memphis to 1974's Elvis Recorded Live on Stage in Memphis, was releasing a live album nearly every year (1971 was skipped). Each one was tied to an event -- a televised concert from Hawaii, his first concert in New York -- but, decades removed from this era, it's easy to forget that at the dawn of the '70s, seeing on-stage was in itself event, as he spent the better part of the '60s making movies instead of playing live.

In fact, the last time he had played in Memphis, Tennessee was in 1961, so even though it was the last in a long line of live records, the homecoming concert captured on 1974's cumbersomely titled Elvis Recorded Live on Stage in Memphis was something special: it captured a beloved hero returning home. Regolamento Generale Arma Carabinieri Pdf To Word on this page. Made sure he was prepared for the occasion, running through much of the set two days prior the March 18 Memphis concert at the Richmond Coliseum. The 2014 Legacy Edition of Recorded Live on Stage contains that concert as its second disc (this second disc also has five very relaxed, very spare, quite appealing rehearsals from August 1974, cut just prior to an appearance in Vegas) and it's quite a bit different in tenor than the released record; it's loose and rollicking, with and the TCB band feeding off the energy of an exuberant audience. In contrast, the Memphis concert -- here on the first disc, in the expanded, full-concert addition originally released on Follow That Dream Records in 2004 -- is precise, professional, and deadly, a testament to the team being a well-oiled machine.

As this full-length Legacy Expansion reveals, far from being just another live record, Recorded Live on Stage in Memphis is a little bit of dynamite, proof that on a good night in 1974, was still as good as rock & roll got. ~ Stephen Thomas Erlewine.