When unwrapped this 12” single comes in four parts: a studio recording (“Disco Beat”) including a newly constructed musical arrangement featuring a punchy bassline, a sly guitar, bongos, viola and a rerecorded vocal performance by Mirah, an isolated instrumental track, an additional dance remix by Christopher Doulgeris.

This is a simple tab/chord setting for Mirah's 'The Garden' with strums and arpeggios during the repeated section. Just Em and B7 all the way through. Feel free to get a crazy percussionist to join you to spice things up. Intro: Play until the word *bring* -- then switch to chord strums. I slapped the guitar for effect on beats 2 and 4, but left off 4 before *bring*. E----------------------------------------------------- B----------------------------------------------------- G----------------------------------------------------- D----------------------------------------------------- A----------------------------2--*slap*--2-2--*slap*--- E----0--*slap*--0-0--*slap*--------------------------- EmOh (022000@1)oh.

B7I (x21202@1)really wanted that thing EmI (022000@1)just want to sing B7 (x21202@1) EmI (022000@1)love you baby won't you *bring* B7All (x21202@1)the flowers you EmFind (022000@1)out in the garden? B7Don't (x21202@1)tell me the truth EmThat (022000@1)your heart has hardened. Repeated Section: Start the Em arpeggio on *you* and play all eighth notes. Start the B7 arpeggio on *anymore* and play all eighth notes. Strum again on *can* E------------0----------------2---- B------0----------------0---------- G--------0----------------2-------- D----------2----------------1------ A---------------------2------------ E----0----------------------------- Em (022000@1) B7 (x21202@1) EmBut (022000@1)*you* don't love me *anymore*--how *can* it be? Additional Bass: Play quarter notes over *done to me*.

Then switch back to strums. E------------------- B------------------- G------------------- D------------------- A----2--3--2--0----- E------------------- B7Look (x21202@1)what you've done to me EmOh (022000@1)oh. EmOh (022000@1)oh. B7The (x21202@1)bee does quickly sting. EmI (022000@1)was wondering B7 (x21202@1) EmIf (022000@1)you could maybe darling think? B7I'd (x21202@1)give everything EmIf (022000@1)you'd grant my love a pardon B7And (x21202@1)then all the fruits EmAgain (022000@1)would fill the garden. E------------0----------------2---- B------0----------------0---------- G--------0----------------2-------- D----------2----------------1------ A---------------------2------------ E----0----------------------------- Em (022000@1) B7 (x21202@1) EmBut (022000@1)you don't want me anymore--how can it be?

E------------------- B------------------- G------------------- D------------------- A----2--3--2--0----- E------------------- B7Look (x21202@1)what you've done to me EmOh (022000@1)oh. B7 (x21202@1) EmOh (022000@1)oh.

A major contributor to this article appears to have a with its subject. It may require to comply with Wikipedia's content policies, particularly. Please discuss further on the. (December 2016) () mirah Background information Birth name Mirah Yom Tov Zeitlyn Born ( 1974-09-17) September 17, 1974 (age 43), Pennsylvania, US Genres,, Occupation(s) Singer-songwriter Instruments Vocals, guitar Years active 1997–present Labels Absolute Magnitude Recordings,,, Yoyo Recordings, Modern Radio Record Label, Morning Light Records Associated acts of /, The Black Cat Orchestra,,,, Ginger Brooks Takahashi, Spectratone International ( and ),,, Website Mirah (born Mirah Yom Tov Zeitlyn, September 17, 1974 in, Pennsylvania), is an American musician and songwriter based in, New York. After getting her start in the music scene of in the late 1990s, she released a number of well-received solo albums on, including (1999) and (2001).

Her 2009 album peaked on the chart at #46, while her 2011 collaborative album peaked at #7. She has released eleven full-length solo and collaborative recordings, numerous EP's and 7' vinyl records, and has contributed tracks to a wide variety of compilations. Mirah has collaborated with artists such as of,,, and. Her newest release, Sundial EP, was released on October 6th, 2017 on her imprint Absolute Magnitude Records. Her style encompasses,, and.

According to in 2011, 'Mirah's early records.are mini-masterpieces that express a sensibility through broken, reverb-drenched guitars and. Her more recent albums.are mature, complex and immaculately-produced.' Produced or co-produced many of Mirah's early recordings. Small Sale EP is a 2001 album by Mirah released on Modern Radio Records. Songs were recorded from 1999 to 2001 at Mirah's house and the recording studio Dub Narcotic, all while Mirah was still touring for her previous album. It was positively received by Allmusic, who compared Mirah's vocals to and called her voice 'intoxicatingly endearing, as are the electronic beats and textures she uses as deftly as she does a ukulele or acoustic guitar.' (2002) Mirah's second full-length album was recorded over a one-year period, starting on September 17, 2000 and ending on July 4, 2001, and was produced by both Mirah and Phil Elvrum.

Was released on K Records on March 19, 2002, and was well-received, earning an Allmusic score of 4.5/5 and a Pitchfork Media score of 8.3/10, who praised the maturity of her voice and lyrics. (2002) Mirah's was released on March 19, 2002 on K Records.

It received a positive review in Pitchfork, who praised the title track, stating 'the song is deadly serious, dark, and full of the kind of not-so vague sexual innuendos we've come to expect from Mirah. Then, 's panoramic, Morricone-esque production technique explodes onto the soundstage.' Pitchfork called the other three tracks 'admirable bedroom folk.' (2003) is a collaboration between Mirah and Ginger Brooks Takahashi. It was written by Mirah and Takahashi in a secluded house in the in 2002, and recorded using a four-track and a mini-disc recorder. According to Allmusic, 'the chirping birds, lonesome train whistles, and buzzing insects that pop up throughout [the album] make it feel like a collection of audio postcards from Takahashi and Mirah's vacation.'

K Records released the album on August 19, 2003. After living in Washington state for about ten years, Mirah moved to around early 2004. (2004) Performed by Mirah and the Black Cat Orchestra, is a collection of political songs by a variety of songwriters. Songs include covers of artists such as,,,,,, and, and several original songs by Mirah as well. Recorded in in early 2003, it was released on Yoyo Records in 2004 to a positive review in Allmusic and a mixed review from Pitchfork. According to Allmusic, 'While the album certainly addresses war and oppression with an appropriately somber tone, To All We Stretch the Open Arm doesn't lose sight of how important passion and wit are to any good protest.'

(2004) is Mirah's third full-length solo album. Several of the songs on C'mon Miracle reflect her experience visiting South America, specifically, Argentina. The two songs recorded in Buenos Aires were co-produced with Mirah's long-time collaborator Bryce Kasson, also known as Bryce Panic. The rest of the tracks were co-produced with Phil Elvrum.

The album was released on K Records on May 4, 2004 to a positive reception, earning 8.5/10 from Pitchfork. She released a music video for the C'mon Miracle single 'Don't Die in Me,' which was created by and Kristina Davies and features animated drawings and paintings by O'Neil. Collaborations (2006–2008) [ ], 2006 is a double CD containing remixes of Mirah's material by K Records artists, such as,,,,,, and. Released by K Records on November 21, 2006, the album was positively received, scoring 3.5/5 from Allmusic and 3/5 from.

Mirah's music is featured in the 2006 documentary,. Around 2006 she began working with Portland-based musician, with O'Neil joining Mirah's live band and co-headlining a tour to Europe. Mirah played at the in the summer of 2007. Mirah at the Rio Theatre,, Jan.

2008 Released on K Records on August 7, 2007, is a collaborative album between Mirah and Spectratone International ( and, formerly of the Black Cat Orchestra). The subject matter revolves around the lives of insects, and the album was inspired by the writing of 19th century entomologist and poet J. Henri Fabre, as well as. Stop motion films by Britta Johnson were also a part of the project.

According to Allmusic, '[the songs] are intricate and beautifully made, giving a larger scale to the big events in these tiny lives – birth, death, mating, eating, sacrifice, survival – while keeping the details that make them fascinating.' As of September 2008 she was touring and performing with Spectratone International, playing a string of gigs on the west coast. In 2008, she had an essay published in the book Rock 'n' Roll Camp for Girls., singles is a collection of out-of-print, reissued, and unreleased songs by Mirah, featuring collaborative work by Phil Elvrum and of K Records. In the genre of and recorded in a style, it was released on Modern Radio Records on July 15, 2008, to a positive reception. Pitchfork Media gave it a score of 7.5/10, while gave it 3.5/5.

In July 2008 her song 'The Garden' was featured in the TV show. The song, which had been previously released on her 2002 album Advisory Committee, also charted at #45 on the US song chart, reaching #31 on the same chart in Canada. Live performances, touring [ ] Between 1998 and 2009 she toured extensively, mostly in the US and Canada with smaller stints in Europe and Japan, all within a network of underground and DIY spaces and promoters. These shows would happen at house parties, all-ages spaces and small clubs. She performed at in Seattle, Philadelphia, London, and Amsterdam, as well as at several festivals. In 2009 she started working with the Billions booking agency. Recent releases (2009–present) [ ], touring (2009), the title of Mirah's fourth full-length studio album, released on March 10, 2009, is a play on the words for hope and difficulty.

It was her first solo album after a four-year hiatus spent working on collaborations and. As with many of her previous releases it was co-produced by Phil Elverum and released on K Records.

She also worked with -nominated producer on 4 of the tracks. The album peaked on the chart at #46, and received largely positive reviews.

Praised Elverum's production, stating, 'The musical marriage of Mirah and Elverum is one of those rare perfect meeting of the minds— and, and.through the intelligent production of Elvrum.she is able to set her thoughts upon soaring mountains of musical genius.' As of May 2009 she had toured both the US and Europe in support of the album, and she moved to San Francisco in November of that year. Her 2010 music video for 'The Forest' (from (a)spera) was directed by Lauryn Siegel and has choreography by Faye Driscoll and photographed by Ava Berkofsky. (2010) In early 2010, after performing with singer-songwriter at the in San Francisco, the two announced a 2010 North American tour, billed under the name Thao and Mirah with the Most of All. They performed a collaborative set and shared vocal duties on each artist's respective songs. They subsequently recorded a full-length album of original material called.

Produced by musician of the band, the album was released by on April 26, 2011 ( 2011-04-26). It was well received by music critics; according to Pitchfork, 'everything on Thao & Mirah feels of a cohesive collaborative piece, separate from either artist's solo work, a combination that synthesizes their individual strengths to outstanding effect.' The two toured in support of the album while working with Air Traffic Control, an organization that provides artists a platform for social activism. 2010–present She released a solo EP Don't/The Tears That Fall EP in 2010 as a vinyl single on K Records. Also in 2010 her track 'Engine Heart' off was used in the soundtrack for the romantic comedy. In October 2011 her song 'Special Death' was featured in the TV show. Her 2011 release of the digital single 'Low Self Control' was produced by Christopher Doulgeris and the accompanying video was by Doulgeris and Aubree Bernier-Clarke.

She began living part-time in Brooklyn in October 2012, moving there full-time in the fall of 2013. Mirah co-wrote a song called 'The Nest' which appeared on 's 2012 album Composed, and she has performed that song and others with various ensembles in Seattle and New York City, including. Mirah and Bischoff first performed 'The Nest' (and several of Mirah's songs which Bischoff arranged for orchestra) live at the 2012 Ecstatic Music Festival in NYC with notable vocalists including, and again at in Brooklyn in 2014.

As part of the 'Portland's Indies' series, she had a 2013 performance with the. She also wrote a piece collaboratively with percussionist and composer, which they debuted at the 2014 Ecstatic Music Festival (NYC).

The opera piece is titled 'We Float,' and according to the Kaufman Music Center, is about 'exploring the substance and ethereality of spacewalks, sound and the human experience.' Changing Light (2014) Changing Light, was released on May 13, 2014. Changing Light features guest appearances by, 's,, and Heather McEntire. Bischoff wrote the string arrangements for many of the tracks. Changing Light was released on Mirah's imprint, Absolute Magnitude Records, in collaboration with K Records.

Glide Magazine gave it 9/10 stars, stating the album 'covers a lot of earthly ground, from animals to nature and seasons. Light deals with being in transition on deep levels, confronting mortality in fascinating ways.' The review described her vocals as 'gauzy, but never thin, and this time around she sounds a bit world-wearier. But it works for her, adding a smoky sultriness, and subtle imperfections that make each song rawer because of it.' Sundial EP (2017) Mirah's newest release, Sundial EP, was release on October 6, 2017 on her imprint label Absolute Magnitude Recordings. In another beautiful collaboration with, the Sundial EP reworks six songs from Mirah's back catalogue with the addition of the EP's title track Sundial. 'Both airy and thoughtful, “Sundial” stretches heavenward with rising strings and Mirah’s voice at its most ethereal as it describes a cluster of ancient beings watching from everywhere in the universe at once—stars, urging the people on their orbiting planets to make their own happiness' Style, equipment [ ].

Mirah with her Gibson guitar in 2009 As a vocalist, songwriter, and recording artist, Mirah typically works independently while songwriting, though frequently collaborates as a recording artist. In 2007, she began writing collaboratively for the first time with Spectratone International. According to in 2011, 'Mirah's early records.are mini-masterpieces that express a sensibility through broken, reverb-drenched guitars and, singing with frank sexuality in an occasionally child-like voice.

Her more recent albums.are mature, complex and immaculately-produced.' She primarily plays guitar and also has guest musicians accompany her live and on records.

According to Mirah in 2008, 'I play the same guitar as I did when I first started out. I only own two guitars, my Gibson and a little acoustic.So for me, the simpler the better onstage. Just me and my guitar, and sometimes just me and my voice, my favorite instrument.' Mirah's ever-evolving live band has included friends and artists such as Bryce Kasson,,,, Alex Guy,, Lisa Schonberg,, Emily Kingan, Christopher Doulgeris, and many others. Personal life [ ] As of 2014 Mirah is based in, New York. Her older sister is Emily Ana Zeitlyn of and Divers.

Mirah identifies as. Her partner is film-maker Todd Chandler.

Publishing history [ ] • 2008: Rock 'n' Roll Camp for Girls – essay included Filmography [ ] • 2005: DVD Discography [ ] Solo material [ ] Studio albums [ ] List of studio and live solo albums by Mirah Year Album title Chart peaks Release details — 2000 — — • Released: June 6, 2000 • Label: • Format: CD 2001 — — • Released: March 19, 2002 • Label: K • Format: CD, digital 2004 — — • Released: May 4, 2004 • Label: K / 7 e.p. (Japan only) • Format: CD, digital 2009 46 — • Released: March 10, 2009 • Label: K / 7 e.p. (Japan only) • Format: CD, digital, vinyl 2014 Changing Light • Released: May 13, 2014 • Label: Absolute Magnitude/K • Format: CD, digital '—' denotes a recording that did not chart or was not released in that territory.

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